Subject, predicate, non-subordinate names

Fabricius works with existing or fictive texts from time to time, which texts are integral parts of her photos. The adapted texts articulate, complement, or re-interpret what you see in the picture, quasi-extending its visual-, and interpretation boundaries. In her previous works (Vaj-Voi, Secondhand Datas series) it is also varied, whether the photo or the text came first, but in every case, her works have been developed in layers, built on each other, in an unbound associative manner, often questioning even the credibility of the story embedded in reality.

In this case, the starting point regarding the subject of the exhibition, are those spoken, unintentionally said, uttered phrases, which the artist has received from her former-, and significant loved ones. The photographs, the video- and light installations attached to the intimate and personal quotations are relationship transections, and visual emergency arrangements of her mood, or compulsory solutions about fondness, affection, love, personal failures, the undertaking of it.

For this personal and private material, the artist invited one of the most relevant and current personalities from the Hungarian contemporary poetry scene, Márton Simon (Dalok a magasföldszintről, Libri 2010, Polaroidok, Libri 2013), to write poems constructed from the atmosphere of the quotes, and mostly from the photographs. Márton Simon’s poems are formulated in a seemingly hopeless or compact way, but his pictorial formulation is what makes the pellicular state of being truly shaded.